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Trooper Hook (1957)
Screen: 'Maid in Paris' Finds Love; Dany Robin Co-Stars With Daniel Gelin
MORE than a gentle reminder of the American film "The Moon Is Blue" is got from the French film "Maid in Paris," which came to the Baronet yesterday. Only this one, being French and frisky, makes "The Moon Is Blue" look like an Elsie story. Purple is more its hue.
It starts off most beseemly, with a nifty schoolgirl, played by Dany Robin, arriving in Paris with a group of her Swiss schoolmates to make the usual tour. But she soon is flirting with a fellow played by Daniel Gelin, and when her mates are heading for Geneva, she's heading for a dinner date with him in St. Germain-desPrés.
It's still beseemly when they sit down at a cafe to hear the sidewalk-strolling Catherine Sauvage, accompanied by guitar and accordion, sing the redolent "Paris Canaille." It stays that way when they go for dinner in a gangster-cluttered dive, then vamoose and drift in the direction of Les Halles when the cops raid the hangout.
But it starts to get around to unseemly—or simply French, shall we say—when the girl opts to go home with the fellow and presumably embark on an affair. She's a very broad-minded maiden (as she tells him) and he's an accommodating gent. However, he loses all interest when she tells him she's never been kissed (that's the French convention). He then tells her he's an inspector of police. Apparently police inspectors are rather gay blades in France.
Vastly disappointed, the maiden starts out to hook the gent, and, from here on, she is the pursuer and he the rather terrified pursued. He can't keep her out of his apartment. She leaves but always comes back, greatly disconcerting the poor fellow by snuggling up to him warmly and taking baths. Once she tries a little spooning with another fellow, but discovers he doesn't kiss as well as the inspector does. So she hurries back to him, hopefully.
The young lady gets so desperate that she even starts to do a strip-tease in one of the night clubs of Paris devoted to that sort of thing. Whereupon this convinces our fellow (and also another, older dame with whom he has been rather cozy) that the kid is not going to be discouraged. So he lets her have her way with him, then agrees to marry her.
It is not a particularly witty picture. It is obvious but amiable, and there's a good bit of charm and comical candor in Mlle. Robin and M. Gelin. They handle themselves very cutely under the direction of Gaspard-Huit. Tilda Thamar is broad as the maiden's mother and Marie Daems is quite svelte as the other dame. Also the scenes of Paris are spicy and genuine.
This is a picture that will amuse those people who think its title a clever play on words.
MAID IN PARIS, screenplay by Cecil Saint-Laurent; directed by Gaspard-Huit and produced by Yvon Guezel. Released by Continental Distributing, Inc. At the Baronet.
Penny Benson . . . . . Dany Robin
Antoine . . . . . Daniel Gelin
Claude . . . . . Marie Daems
Gloria Benson . . . . . Tilda Thamar
Headmistress . . . . . Mary Marquet
"TROOPER HOOK," the Western drama that opened yesterday with the Palace's new stage bill, offers a rather original plot and some nice performances. The result is only middling, however.
Barbara Stanwyck and Joel McCrea are co-starred in this low-budget United Artists release. Sol Baer Fielding produced and Charles Marquis Warren directed and also had a hand in adapting the story, credited to Jack Schaefer.
Focusing squarely on the sight of a nice-looking white woman and her Indian child, the picture offers some interesting human reactions and occasionally real food for thought. This grimly stoical lady, Miss Stanwyck, is liberated from an Apache stronghold, placed in custody of a stern trooper, played by Mr. McCrea, and sent to join her husband.
With Miss Stanwyck fiercely attached to the child, as is his pursuing chiefain-father, it promises to be quite a reunion.
Unfortunately, most of the action has been loosely dropped in the frame of a slow, standard stagecoach trip, as the duty-bound but kind soldier protects his two badgered charges and comes to love the lady.
Among various townspeople and passengers, Earl Holliman, Edward Andrews, Susan Kohner, Royal Dano and Celia Lovsky are quite effective. So, too, is John Dehner, as the surprisingly human waiting spouse, until a contrived, slapped-on Indian raid patly reunites the two stars.
Armed with some good blunt dialogue, Miss Stanwyck and Mr. McCrea deliver a pair of easy, restrained and natural performances typical of two screen veterans. Is anyone surprised?
Palace Western
TROOPER HOOK, screen play by Charles Marquis Warren. David Victor and Herbert Little Jr., based on a story by Jack Schaefer; directed by Mr. Warren; produced by Sol Baer Fielding and released through United Artists. At the Palace.
Cora . . . . . Barbara Stanwyck
Sergeant Hook . . . . . Joel McCrea
Jeff Bennett . . . . . Earl Holliman
Fred Sutliff . . . . . John Dehner
Trude . . . . . Royal Dano
Nanchez . . . . . Rudolfo Acosta
Charlie . . . . . Edward Andrews
Consuela . . . . . Susan Kohner
Senora . . . . . Celia Lovsky
Quito . . . . . Terry Lawrence
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